Showing posts with label John Barry. Show all posts
Showing posts with label John Barry. Show all posts
Saturday, March 26, 2011
John Barry - We Have All The Time In The World (Sung By Louis Armstrong) [again]
ORIGINATION On Her Majesty's Secret Service LP
RECORDED IN 1969
LAST LISTENED TO last night
RATING ★★★★★
I had this one a few weeks ago.
Saturday, March 12, 2011
John Barry - We Have All The Time In The World (Sung By Louis Armstrong)
ORIGINATION On Her Majesty's Secret Service LP
RECORDED IN 1969
LAST LISTENED TO last night
RATING ★★★★★
This is a smooth, gentle and lovely, lovely song. The contrast of the sweet strings and the warmth of Louis' rough old voice is so prefectly balanced that. rounded out by the gentle trumpet tones he produces, makes it feel like slipping into a warm bath. For three minutes and eleven seconds all your worries will just slip away.
RECORDED IN 1969
LAST LISTENED TO last night
RATING ★★★★★
This is a smooth, gentle and lovely, lovely song. The contrast of the sweet strings and the warmth of Louis' rough old voice is so prefectly balanced that. rounded out by the gentle trumpet tones he produces, makes it feel like slipping into a warm bath. For three minutes and eleven seconds all your worries will just slip away.
Monday, January 31, 2011
John Barry
The first alarm call of the morning was a brief interlude of a radio presenter saying something about James Bond scores. The third call was during a news break, where the reader mentioned something close to "he won five Academy Awards". I woke up then, realising that another musical legend was gone. If there was any morning song in my head, it was washed away in a tide of Barry goodness. Here are just two of my favourites.
Thursday, June 29, 2006
Goldfingers
This morning found me waking to a combination of several versions of John Barry's main theme from the film Goldfinger. So, in roughly the order that they appeared in:
Jimmy Smith - Goldfinger (Part I)
ORIGINATION Monster
LAST LISTENED TO last night
CHANCE OF WAKING TO IT good, but
RATING
There are two things that make this my favourite version of the Goldfinger theme. Firstly, of course, is the fabulous Mr. Smith and his mighty organ. It is a fact that no one beats Jimmy Smith for organ satisfaction, even here where he hardly appears, that is still the case.
The tune has a long introduction, making for a great, teasing beginning to the Monster album. A third of the way in, Jimmy plays some melody and vocal lines, forming the middle section. He only begins to solo in the last 45 seconds and it's a typically great Jimmy Smith solo, coming in on the high notes and working it's way down, repeating phrases all the way. Blue and soulful.
The secondly reason for my love of this version is Oliver Nelson's arrangement, which brings in further elements of the Goldfinger score. In particularly, the first minute is largely taken from Dawn Raid Over Fort Knox, which is the dramatic highlight of the original Goldfinger soundtrack.
John Barry - Goldfinger (Instrumental Version)
ORIGINATION Goldfinger OST
LAST LISTENED TO November
CHANCE OF WAKING TO IT good, by association
RATING
Not the best known version on the original album, but for me the better of the two. It is more forceful, with a greater variety in textures and features a Beat-sounding guitar part instead of the vocals, which hints at Barry's earlier work. This version also throws in elements from other parts of the score, in manner that clearly inspired Nelson's arrangement for Jimmy Smith.
John Barry - Main Title: Goldfinger (Sung By Shirley Bassey)
ORIGINATION Goldfinger OST
LAST LISTENED TO November
CHANCE OF WAKING TO IT good, by association
RATING
The famous one. It's a great moment in pop history and, whilst it's not a song that i'd ever write anything bad about, it's doesn't have Jimmy Smith on it. It does, however, have a great crescendo and some lovely little Bond-theme moments.
Ray Barretto - Goldfinger
ORIGINATION Señor 007
LAST LISTENED TO January
CHANCE OF WAKING TO IT good, by association
RATING
Take a top latin-percussionist, add a whole load of Bond tunes and shake (not stir) well. Viola, a great party album. The version of Goldfinger is sadly not the best thing on this album, but it's great fun and more parpy than any other version of the tune. The atmosphere is also really quite different.
And finally…
There were sadly a couple of version of Goldfinger that didn't make it into my head this morning, but i feel deserve an honourable mention. Firstly, there are several more by Jimmy Smith, starting with the Part II Version from Monster, which sounds similar to Part I, only a good bit faster and with much more of Jimmy soloing. There are also two live versions, which may be in fact one version edited differently. Next comes Beatle-fave Billy Preston's, which has something of a Booker T. & The MG's feel. Unfortunately, he set his organ for a very rinky-dink sound, which is a fairly pants organ sound. Lastly comes Count Basie and HIs Orchestra, giving it a smooth, bit band setting. This is from his album Basie Meets Bond, which is well worth tracking down.
Jimmy Smith - Goldfinger (Part I)
ORIGINATION Monster
LAST LISTENED TO last night
CHANCE OF WAKING TO IT good, but
RATING
There are two things that make this my favourite version of the Goldfinger theme. Firstly, of course, is the fabulous Mr. Smith and his mighty organ. It is a fact that no one beats Jimmy Smith for organ satisfaction, even here where he hardly appears, that is still the case.
The tune has a long introduction, making for a great, teasing beginning to the Monster album. A third of the way in, Jimmy plays some melody and vocal lines, forming the middle section. He only begins to solo in the last 45 seconds and it's a typically great Jimmy Smith solo, coming in on the high notes and working it's way down, repeating phrases all the way. Blue and soulful.
The secondly reason for my love of this version is Oliver Nelson's arrangement, which brings in further elements of the Goldfinger score. In particularly, the first minute is largely taken from Dawn Raid Over Fort Knox, which is the dramatic highlight of the original Goldfinger soundtrack.
John Barry - Goldfinger (Instrumental Version)
ORIGINATION Goldfinger OST
LAST LISTENED TO November
CHANCE OF WAKING TO IT good, by association
RATING
Not the best known version on the original album, but for me the better of the two. It is more forceful, with a greater variety in textures and features a Beat-sounding guitar part instead of the vocals, which hints at Barry's earlier work. This version also throws in elements from other parts of the score, in manner that clearly inspired Nelson's arrangement for Jimmy Smith.
John Barry - Main Title: Goldfinger (Sung By Shirley Bassey)
ORIGINATION Goldfinger OST
LAST LISTENED TO November
CHANCE OF WAKING TO IT good, by association
RATING
The famous one. It's a great moment in pop history and, whilst it's not a song that i'd ever write anything bad about, it's doesn't have Jimmy Smith on it. It does, however, have a great crescendo and some lovely little Bond-theme moments.
Ray Barretto - Goldfinger
ORIGINATION Señor 007
LAST LISTENED TO January
CHANCE OF WAKING TO IT good, by association
RATING
Take a top latin-percussionist, add a whole load of Bond tunes and shake (not stir) well. Viola, a great party album. The version of Goldfinger is sadly not the best thing on this album, but it's great fun and more parpy than any other version of the tune. The atmosphere is also really quite different.
And finally…
There were sadly a couple of version of Goldfinger that didn't make it into my head this morning, but i feel deserve an honourable mention. Firstly, there are several more by Jimmy Smith, starting with the Part II Version from Monster, which sounds similar to Part I, only a good bit faster and with much more of Jimmy soloing. There are also two live versions, which may be in fact one version edited differently. Next comes Beatle-fave Billy Preston's, which has something of a Booker T. & The MG's feel. Unfortunately, he set his organ for a very rinky-dink sound, which is a fairly pants organ sound. Lastly comes Count Basie and HIs Orchestra, giving it a smooth, bit band setting. This is from his album Basie Meets Bond, which is well worth tracking down.
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