Showing posts with label Elvis. Show all posts
Showing posts with label Elvis. Show all posts

Tuesday, January 10, 2006

Elvis - Let Yourself Go

ORIGINATION 1968 NBC TV Comeback Special
LAST LISTENED TO last week
CHANCE OF WAKING TO IT getting high
RATING

This is a bit of an odd one, in that it's part of the extended fifteen minute Road Medley from this legendary tv show and even in that it only features for 45 seconds. None the less, it's about as rough, dirty and funky as Elvis gets. As well as his vocals which are rougher than you'd expect, there's big brass (of course), supported by plenty of organ and some southern-soul style guitar picking. It's a neat and memorable little moment from one of the high points a show which had more than it's fair share if them.

Saturday, December 03, 2005

(same again)

ORIGINATION Almost In Love LP
LAST LISTENED TO all day yesterday
CHANCE OF WAKING TO IT still astronomically high
RATING

Yes, really. For two mornings in a row i have woke to the same song. Elvis' Clean Up Your Own Back Yard was again in my head this morning. Which is really rather fortunate as i have no time this morning to pontificate.

Friday, December 02, 2005

Elvis - Clean Up Your Own Back Yard

ORIGINATION Almost In Love LP
LAST LISTENED TO last night
CHANCE OF WAKING TO IT astronomically high
RATING

I can remember thinking before going to bed last night, that listening to this Elvis LP late at night almost guaranteed i was going to wake to it. It's nice to be proved correct on occasion.

This track was recorded in 1968, around the time of Elvis' NBC television special. This was a period of heightened musical quality for the man, after many years of languishing in Hollywood.

'Clean Up…' opens with some slide guitar before a bass refrain starts off a groove that will run through the whole song. The drummer soon kicks in, sounding like he may have been listening to a little laid-back James Brown before the recording, although doesn't quite reach that level. He's backed by some understated rhythm piano, before Elvis come in. A soufull brass section gives Elvis a little call-and-response action before things are topped off with some female choir backing. All in all it's a funky, laid-back vibe in a country-tinged Southern soul style.

Elvis was hardly ever less than great in his recordings. Even when he was recording utter dross (and, lord, there a lot of that), Elvis was always convincing. Here he plays it mean and laid back. Whether this was due to the backing music or because of it is largely irrelevant: the music and singing marry perfectly.

Lyrics were often where Elvis' output in the preceding years often fell flat. Thankfully here the lyrics are a little more robust, essentially pointing out man's foibles and suggesting that they sort themselves out before speaking out about others. To begin with a few specific men are mentioned (a preacher, a drugstore owner, an armchair quarterback), before the lyics move on to this closer:

"When you get right down to the nitty-gritty
Isn't it a pity that in this big city
Not a one a'little bitty man'll admit
He could have been a little bit wrong"

Which seems to me to be a rather broader attack on men in general. Elvis, of course, pulls it off perfectly, to the extent that the inherent irony of the whole song, and the last verse in particular, is unnoticeable. It's a great tune recorded by a man at the peak of his powers. It's just a shame that after his escape from one trashy city, another was to claim him after this.